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Fresh Kills




  FRESH KILLS

  Contents

  Cover

  Title

  Copyright

  Dedication

  About the Author

  Also By Reggie Nadelson

  Map

  Part One: Tuesday July 5

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Part Two: Wednesday July 6

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Part Three: Thursday July 7

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Part Four: Friday July 8

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

  Part Five: Saturday July 9

  Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Chapter Thirty-Three

  Chapter Thirty-Four

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Version 1.0

  Epub ISBN 9781409008842

  www.randomhouse.co.uk

  Published by Arrow Books, 2007

  2 4 6 8 10 9 7 5 3 1

  Copyright © Reggie Nadelson 2006

  Reggie Nadelson has asserted her right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser

  First published in Great Britain in 2006 by William Heinemann

  Arrow Books

  Random House,

  20 Vauxhall Bridge Road,

  London SW1V 2SA

  Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk

  The Random House Group Limited Reg. No. 954009

  A CIP catalogue record for this book is available from the British Library

  ISBN 9780099465690

  The Random House Group Limited makes every effort to ensure that the papers used in its books are made from trees that have been legally sourced from well-managed and credibly certified forests. Our paper procurement policy can be found at: www.randomhouse.co.uk/paper.htm

  Typeset by SX Composing DTP, Rayleigh, Essex

  Printed in the UK by CPI Bookmarque, Croydon, CR0 4TD

  For Helena

  FRESH KILLS

  A journalist and documentary film maker, Reggie Nadelson is a New Yorker who also makes her home in London. She is the author of six previous novels featuring the detective Artie Cohen (‘the detective every woman would like to find in her bed’ Guardian), most recently Red Hook. Her non-fiction book Comrade Rockstar, the story of the American who became the biggest rock star in the Soviet Union, is to be made into a film starring Tom Hanks.

  ALSO BY REGGIE NADELSON

  Bloody London

  Skin Trade

  Red Mercury Blues

  Hot Poppies

  Somebody Else

  Comrade Rockstar

  Disturbed Earth

  Red Hook

  Part One

  Tuesday July 5

  1

  The steady noise of the engine above me changed, I sat up, opened my eyes, squinted into the sun. The small sightseeing plane flying low over Coney Island stuttered across the sky and I held my breath, waiting for the crash. Next to me on the beach, my nephew Billy was stretched out. One hand holding a radio tuned to a Yankees game, his big adolescent feet in black sneakers, laces trailing, propped up on an empty pizza box from Totonno’s.

  The plane disappeared behind backlit clouds, probably heading for some airstrip nearby where tourists caught sightseeing flights.

  It was Tuesday, a mild July day when only a few people, maybe a couple dozen, were stretched out on the sand near me catching some sun. Two old guys sat on low green plastic beach chairs and played gin rummy. A couple of women, their wives probably, wearing pull-on velour pants and matching windbreakers in pink and blue, sat near the men, reading Russian newspapers that rattled in the breeze. A Pakistani family ate lunch from metal containers, the compartments stacked up on each other, chatting in Urdu, probably Urdu, maybe imagining they were back home taking the afternoon off on some beach in Karachi. In Midwood, in the interior of Brooklyn around three miles from Coney Island, there was a big Pakistani community. I could smell the food. It made me hungry.

  At the edge of the water, a chubby teenage girl with carrot-colored hair jogged heavily, her feet pulled down by damp sand. Two boys ran gracefully past her. An electric blue mermaid, also near the water, picked up her sequined blue tail, and scuttled up towards the boardwalk. The plane appeared again. Everyone on the beach looked up. No one moved now. Sun glinted off the mermaid’s blue tail.

  All this seemingly in slow motion, while music came from a boom box somewhere – Otis Redding’s “Dock Of The Bay”, which I’d always loved. I realized that the mermaid was one of the girls who dressed up every summer to march, if you could call it that, in the annual Coney Island Mermaid Parade.

  The plane, out of control, zigzagged across the blue sky over the ocean, flew away from the beach, dipped down, one of its wings hanging loose, like a wounded insect. I got up, stumbled on the sand, found my phone in my jeans, called 911. It was too late. In a slow spiral, the plane lost altitude and then suddenly, snagged by gravity, fell.

  In the windows I could see two faces looking down. Maybe they could see blue water coming up at them, Russians reading newspapers, a man running from Nathan’s clutching a hot dog with a wiggly line of yellow mustard on the dog. I wondered if the people in the plane could see the mustard, and what they were thinking, or if there was time. Then the plane hit the sand and broke. People on the beach backed away, terrified, expecting an explosion, smoke, fire.

  Next to me, Billy was already on his feet. Around us, people were grabbing their bags and towels, toys and cards, newspapers, chairs, radios, coolers, looking up, running towards the boardwalk, then stopping, unsure which way to go.

  Is it terrorists, I heard a woman say to her husband. An attack? The boom box kept playing; on it, the music changed, the Drifters singing “Up On The Roof”.

  The silvery plane lay near the edge of the water a couple of hundred yards away, crushed like a Coke can. The surf bubbled onto the beach and washed the pieces of the plane. I could just make out the bodies, half in, half out of it, including a little girl who was maybe three years old. She didn’t move.

  “Is anyone dead? Is the little girl dead?” Billy was starin
g at the plane, rigid with attention.

  “Let’s go,” I said to Billy. “Come on.”

  He didn’t move.

  We had come out to Coney Island because Billy said the first thing he wanted when he got home to Brooklyn was to eat a pie from Totonno’s. That and to sit in the sun and look at the ocean, and catch a few rays, he’d said, posing, his face up to the sky, hands on hips, like some guy in a TV commercial for suntan stuff.

  “Now,” I said.

  Cars and trucks were screaming in the direction of the beach, driving onto the sand. Emergency crews were all over the wreck, pulling out the bodies, loading them into an ambulance. I thought I recognized a detective in a red jacket I’d met someplace. Smoke trailed upwards from the wreck. I grabbed for Billy’s hand, he tossed his knapsack over his shoulder and we ran.

  “Artie?”

  “Are you OK?” I said to Billy. We were on the boardwalk, leaning against the railing, looking at the plane wreck, brushing sand off our clothes.

  “This is really weird,” he said. “I’m glad you’re here.”

  “Let’s get out of here.”

  “You think everyone’s OK?”

  A girl of about ten was standing near us with her mother, crying. Billy turned to her.

  “It’ll be OK,” he said. “Hey – it’s OK. It’s over now. You all right?”

  Billy Farone, who was my half sister’s kid, was fourteen, lanky, broad shouldered, and nearly six feet tall already, as tall as me, almost. Last couple of days we’d been together, mostly he seemed to take things as they came. For an adolescent, he was pretty easy-going. He was interested in what people said and how they felt, and it was disarming. People liked him. He was a charming kid.

  Thick black hair fell over Billy’s forehead, his blue eyes lit up his face which, with the faint Slavic cast, cheekbones, chin, that kind of thing, reminded my of my father. Once in a while, hands shoved in his pockets, the big sneakers, the shoelaces undone, swaying a little side to side as if he was growing too fast to keep it all together, Billy was still a kid. Now, making sure the girl who’d been crying was OK, he seemed almost grown up. Black jeans, red T-shirt, a dark blue Yankees jacket, he leaned against the railing. He looked out at the water and the plane, worried.

  “You think they’re alive?” he said. “The people in the plane?”

  “I don’t know.”

  To change the subject, I told Billy how Charles Lindbergh opened Floyd Bennett Field a few miles away, one of the first airports in the country. 1923. Over by Dead Horse Bay, which was what they called it back then when the city’s dead horses were boiled down for fat there and the stink was unbearable.

  “Who’s Charles Lindbergh?” Billy said, and I explained about the guy who first flew the Atlantic solo, took off from Roosevelt Field on Long Island by himself and how after that they called him Lucky Lindy. Billy was pretty interested in the story – he was a kid who mopped up information and paid attention to the answers when he asked you questions – but he made me stop when I him told how Lindbergh’s baby was kidnapped. Case of the century, they had called it.

  After a while, we went and sat on the boardwalk steps. Billy told me that he could tell right away from the arc of the plane that it hadn’t been coming anyplace near us, and that he felt pretty crappy because he found himself waiting for the crash. He had wondered if it would spin, or just plunge nose down. He didn’t want it to fall, but if it was going to, he wanted to see.

  “It’s the way people feel about car racing, right? Isn’t it?” he asked me. “If it’s going to happen, you want to see. Right Artie? I mean it was just crazy. You want some of my cucumbers?”

  He took a plastic bag full of cucumber strips from the knapsack he carried over one shoulder. “God, I love cucumbers,” said Billy and told me he liked the way the pale green flesh looked, the coolness and the crunch. In Florida, he added, cold cucumbers were great on a hot day. What did they say, cool as a cuke? Also, Billy said, he loved slicing them up, peeling the dark green skin with the red Swiss Army knife I had given him when he was younger. He held out the plastic bag.

  People were all over the wreck of the plane. I stayed where I was; I figured no one needed an off-duty Manhattan detective like me messing up the scene.

  “What?” Billy ate a piece of cucumber.

  “Nothing.”

  “Come on, Artie, what?” He smiled. “What? Tell me. Please, please, please, please. I want to know what you’re thinking.”

  I didn’t answer him because I didn’t want to lie. I was thinking how I couldn’t believe that Billy was the same kid who had killed a man – been accused of killing a man – a couple of years back.

  “Artie?”

  “What?”

  “You think we could go fishing tomorrow?”

  “Sure.”

  “Awesome.” He put the cucumbers back in his bag.

  “You have any place in mind?”

  “I was thinking out on the island, like Montauk? Any place, so long as it’s you and me and we could fish, like before, the way we used to, you know?”

  Before. Before Billy had been locked up in the place – they called it a therapeutic facility – in Florida. Before.

  I nodded.

  “I could make sandwiches for us,” he said eagerly. “I’m really good at it. I can do those giant heroes with salami and cheese and ham and pepperoni and roasted peppers, and we can take sodas, and just hang together. I heard they got stripers running already. Blues. Guess what?”

  “What?”

  “Guess.”

  “Tell me.”

  “I even heard you can fly-fish in Central Park now,” Billy threw his arm up and out in an arc as if he was fishing. “It sounds goofy, though, right?”

  “We’ll go to the island,” I said. “You feel good and all?”

  “Great.” He put his hand on my sleeve, tentatively, wanting to hold on like a little kid, but too big for that now. His hand was as big as mine, the skin was rough and I knew he played ball without a glove.

  “You know what?” he said.

  “What’s that?”

  “You won’t believe this. You’ll laugh.”

  “Try me.”

  “I’m sort of hungry.”

  “You can’t be hungry,” I said. “We ate a whole pizza, and some calzones, you ate cucumbers, we had waffles for breakfast, and bacon and about a quart of OJ.”

  “I’m a growing boy, right?” Deepening his voice, he mimicked some pompous pundit he’d heard on TV. He had the family knack for mimicry.

  Again I thought how OK he was now. He was cured. Everything had finally fallen into place and he seemed like a normal New York kid who could talk a blue streak, fluent and funny, and sometimes pretty wry, and very observant. The sickness was gone. It was over.

  “Artie?”

  “Let’s eat,” I said. “Whatever you feel like.”

  “Something else.” He was shy. “I need to ask you something.”

  “Whatever you want,” I said, but my phone rang before he could answer.

  “Where are you?” Sonny Lippert said on the phone when I answered it.

  “On the beach,” I said. “I’m busy.”

  “I have something I want you to do for me,” said Lippert, my sometime boss. “A favor. I’m tied up in a shitty case and there’s something I don’t have time for, man, and I want you to do it.”

  “I’ll call you tomorrow.”

  “Which beach?” Lippert said.

  “What does it matter, I’m on the beach, I came to eat a pizza, whatever. I’ll call you later. Hello?” I pretended the signal had gone.

  Billy said, “Who was that?”

  “It doesn’t matter. Where do you want to eat? You want some hot dogs at Nathan’s?”

  “Let’s go look at the plane.”

  “What about the hot dogs?” I said, but he had already started walking towards the wreck on the beach.

  I said, “What?”

  “What
?”

  “You were talking to yourself.”

  “No kidding? That’s crazy.” Billy was halfway down the beach, loping towards the wrecked plane. “Jeez, Art, I’m going to be like some young old guy, talking to myself. You never know, I could be drooling soon.” He laughed as he imitated an old man stumbling along. Then he straightened up, and walked next to me.

  “I’m almost as tall as you now,” he said. “How old do I look? For real.”

  “Seventeen,” I said.

  There had been big tall men in my family in Russia when I was growing up there. My own father was tall, but my uncle Joe was a giant. He was almost seven feet tall with huge shoulders and a neck thick as a tree. He played basketball in school. Later on, because he thought he was a freak, he killed himself. I was fifteen when it happened but no one told me.

  I got it out of my mother later on. Joe ran a vodka factory in Vladikavkaz near the river Volga. The peasants, shriveled and sickly from the war and malnutrition, were scared by Joe’s size. They taunted him. Said he was a monster, that his size was the devil’s work. Uncle Joe was forty-two when he shot himself.

  “Hey, you wanted to ask me something,” I said to Billy.

  “It doesn’t matter.”

  “Talk to me.”

  Billy stopped walking.

  “Artie, can I come live with you for good? I can, right? I mean maybe not right now, but later, you know? I want to be like you so much. I think about it all the time. I could help you with cases and stuff, and we’d be together, like all the time.”

  I didn’t know what to say. He was home on leave. He would go back to Florida in a couple of weeks. It would be a long time until he was free. I didn’t answer at first and then, because I wanted to see him happy, I said, “Sure.”

  “Hey, I’ll race you,” Billy said, and began running down to the water, kicking up sand with his black sneakers.

  2

  Until I saw Sonny Lippert coming towards us, I didn’t think a whole lot about the fact that it was near this stretch of beach a jogger had found a heap of kid’s clothing a couple of years back. It had been the dead of winter – a woman in a red fox fur coat walking her dogs on the snow-bleached boardwalk that day. More than two years. I remembered now. As soon as I saw Lippert, I remembered everything, and then I thought, so what? It didn’t mean anything.